1 10 2 https://urss.warwick.ac.uk/files/original/5a386ba3e32f1d78ae5f6c2b3500804d.pdf 1ad80e749db9bc6b43c8d30d4a764eaa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Social Sciences Subject The topic of the resource Social Sciences Academic Poster An academic poster Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cognitive Style and Eye Witness Testimony Subject The topic of the resource Psychology Creator An entity primarily responsible for making the resource Minka Brett Date A point or period of time associated with an event in the lifecycle of the resource 2024 cognitive eye witness memory misinformation Psychology https://urss.warwick.ac.uk/files/original/cd506100776962b615a491cb82acb2f9.pdf cf8c2a03b05f00b678755ca0b8fa43ae Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Arts Academic Poster An academic poster Abstract The abstract of the paper This research is situated at the intersection of Japanese Studies, Film Studies, Memory Studies, and Landscape Studies, and adopts a contrastive case study method to examine how cinema shapes collective memory and connects with traumatic past events (, particularly, the 3.11 disaster). The term “3.11” refers to the Great East Japan Earthquake of March 2011, a devastating incident that further triggered tsunamis and nuclear disasters. This research seeks to answer how people remember and reflect on such sudden disasters through cinema, rather than any other art forms. Therefore, this research specifically focuses on how landscapes are portrayed in two cinematic formats: documentaries and fiction. It establishes a solid conceptual framework based on three key notions: sociologist Jeffrey C. Alexander’s concept of “trauma drama”, Pierre Nora’s notion of a “memory site” and the controversial concept of the “cinematic landscape” – Through these lenses, it explores the wounded and multi-layered landscape within 311 Cinema. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource National Trauma in Cinematic Landscape: 3/11 Japanese Cinema as Example Subject The topic of the resource Film and Television Studies Creator An entity primarily responsible for making the resource Xinting Du Date A point or period of time associated with an event in the lifecycle of the resource 2023 cinema Film Film and TV Studies Japan landscape memory moving image tradition Xinting Du